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After Photography

Is there an After?.....
Is there an After?…..

Written by Fred Ritchin, professor of photography at New York University, After Photography presents the reader with what Ritchin sees as the problems and possibilities associated with digital photography.

What can be done with a digital image? For that matter what can’t be done with a digital image. The possibilities are endless.

Gone are the days when a photographer would have to return from the field to process their shots and prepare them for publication. Today their images can be sent the moment they are shot, the photographer can remain in the field and continue shooting or pause to do their own post. One of the many questions that Ritchin raises is: What do we lose when the person doing the post is not the one who was there capturing the image? How does the perspective change?

Another issue discussed is image manipulation. We all know that the beautiful image before us has had some adjustments made, but how much has been changed? There is no standard for tagging photos to let the viewer know how accurate a shot is. The definition of, say, a small adjustment, can be different depending on who you are speaking to. What does that do to photography’s ability to document things?

Ritchin raises many questions but answers very few. He does however remain excited about the possible uses of digital photography and presents many ideas in his book. For instance the possibility of using areas of a photo as essentially a launching point for further exploration of an issue or a part of an issue as proposed in After Photography certainly got me thinking.

My verdict? Well worth the read.

I dropped by to visit a friend yesterday and even though he was in the office when I walked in the store he said that he knew it was me as soon as I came through the door because of the way I took off my sunglasses.  Apparently I’m a distinctive sunglasses taker off’er or something.

Anyway that comment got me to thinking and for some reason the scene where Robert Stack arrives at the airport from ‘Airplane – The Movie’ popped into my head. Anyone remember the one I’m talking about?

The scene is here on youtube about half way through the trailer if you’re wondering what the heck I’m talking about…

http://www.youtube.com/watch?v=qaXvFT_UyI8&feature=related

Then of course I had the uncontrollable urge to use the image as part of my 365….

Memories of Airplane - The Movie
Memories of Airplane – The Movie

Now all I need is to find me a copy of the movie…..

Canon 70-200 f2.8L IS II

Score! Every now and then working retail pays off…

The lens that everyone is looking for showed up in our store today. Needless to say the majority of the staff had to take it outside for a quick spin, here’s mine… oh, yeah…all handheld and on the 7d.

Canon 70-200 f2.8L IS II
Canon 70-200 f2.8L IS II
Canon 70-200 f2.8L IS II
Canon 70-200 f2.8L IS II
Can You See Me?
Can You See Me?
How About Now?
How About Now?
Canon 70-200 f2.8L IS II
Canon 70-200 f2.8L IS II

Searching for Fourth

So it’s come to this. Fifty some odd shots left in my 365 and I’m finding it harder and harder to come up with a shot. Looks like I’ve hit the seventh inning stretch literally. I’ve hounded every bird I can find, macro’d everything in sight and I swear that squirrel is going to start asking for a cut anytime now.

Looks like it’s time to dig down and find that fourth gear that everyone talks about. You know…the one where you have to really stretch to meet your goal.

I suppose that’s a good thing really. After all this isn’t supposed to be easy. Not if you want to grow that is.

Now all I have to do is find my shovel….

I Swear They Know

I was out shooting with the 80-400 again today. Got a couple of shots but just as things are starting to look good the neighbour starts up his saw, or a car alarm goes off or…you know how it goes. So I gave up and went in to set up my daily shot, switched lenses ect. Of course then I look across the room out the door and see two morning doves flying nice and slow past the back door….I think I saw one of them wave….

I swear they know.

Nikon 80-400VR

Nikon 80-400VR

Nikon 80-400VR

Nikon 80-400VR

Nikon 80-400VR f4.5-5.6D

The 80-400VR has been around for ages and yes, the focus is slow. The lens uses a screw drive type af system that is slower and pre-dates AF-S. This makes catching action more difficult or sometimes maybe even impossible. That being said, the lens is still very sharp.

Nikon 80-400  on a monopod

Nikon 80-400 on a monopod

The big advantage with the 80-400 is that without the collar it weighs in at just over 2.5 pounds. Add VR to that and you have a big lens that is not difficult to hand-hold. Try carrying a tripod through rough terrain or even using a monopod when you’re going after birds (or squirrels)  and you’ll soon see the value of being able to hand hold a big lens.

Nikon 80-400 handheld

Nikon 80-400 handheld

Nikon 80-400 handheld

Nikon 80-400 handheld

Nikon 80-400 handheld

Nikon 80-400 handheld

I'm not sure what he's doing but it sure looks like it feels good....

I'm not sure what he's doing but it sure looks like it feels good....

I’m still checking out other big lenses but for me the portability makes this one worth a second look.

This is the first fisheye lens that Sigma designed for crop sensors. It produces a circular, 180 degree image horizontally, vertically and diagonally. It’s a fun lens to play with for portraits and images like these…

However, fisheye lenses are used mainly in astrophotography, hemispherical photography and also by photographers and videographers in action shots to show context.

Fisheyes have no filter thread, instead filters are inserted in the rear of the lens.

Impossible Bend

Impossible Bend

Sigma 4.5mm f2.8

Sigma 4.5mm f2.8

Late Night and the Fisheye

Late Night and the Fisheye

Nikon 45mm PC-E Micro

Tilt Shift

Tilt Shift

Had a chance to check out Nikon’s 45 mm PC-E lens this past weekend.

Plane of Focus

Plane of Focus

Tilt shift lenses are used in architectural photography to correct for converging lines created when shooting up at a building.They are also useful in macro photography and to create an effect called miniaturization.

The tilt moves the plane of focus so it is not perpendicular to the lens axis. The shift moves the image circle relative to the sensor in order to correct converging lines.

Effectively you can take a thin line of focus and move it around the frame…

Tilt Shift

Tilt Shift

Tilt Shift

Tilt Shift

Check out these examples as well…

http://www.smashingmagazine.com/2008/11/16/beautiful-examples-of-tilt-shift-photography/

Sigma 10-20 f 4-5.6

I don’t shoot a lot of wide angle myself but since I talked about the Nikon 10-24 I thought it only fair for me to try out the competition.

Sigma’s 10-20 f 4-5.6 has been around for quite a while, in fact they’ve introduced a new version of this lens with a fixed f 3.5. The newer version hasn’t come into the store yet so I had to settle for the variable aperture.

Sigma 10-20 f 4-5.6

Sigma 10-20 f 4-5.6

I have to admit that there is something about the wider perspective that is appealing.

Sigma 10-20 f 4-5.6 @10

Sigma 10-20 f 4-5.6 @10

Sigma 10-20 f 4-5.6 @11

Sigma 10-20 f 4-5.6 @11

Although to be honest I found myself shooting at 20mm more often than not.

Sigma 10-20 f4-5.6

Sigma 10-20 f4-5.6

The results from this lens are pretty impressive as you can see. Although the finish on the lens may not be like the  ’name’ brand versions the price is certainly attractive.

Miranda Auto Sensorex EE

Made from 1971 to 1977 the Auto Sensorex EE was a solidly built camera which was aimed at the advanced amateur and semi – pro market.

Miranda Auto Sensorex EE

Miranda Auto Sensorex EE

The ‘EE’ stands for ‘electric-eye’, a new concept which allowed for through the lens metering. This allowed for both spot and average metering.

A unique feature of this camera was the removable prism which allowed for waist level shooting.

Miranda Auto Sensorex EE

Miranda Auto Sensorex EE

Because of the design of the TTL system, metering was available even when the prism was removed.

Miranda Auto Sensorex EE

Miranda Auto Sensorex EE

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